Archive for August 10th, 2010

August 10th, 2010

Lowell Cemetery tour this Saturday

by DickH

Our fall season of guided tours of Lowell Cemetery commences this Saturday (August 14) at 10 am at the Knapp Avenue gate which is right next to Shedd Park. The tour is free, open to the public and requires no pre-registration. It takes about 90 minutes and involves walking over the rolling terrain of the cemetery. The tour occurs rain or shine.

If you can’t make it this week, future tours of the cemetery are scheduled for:

    Friday September 10 at 1 pm
    Saturday September 11 at 10 am
    Friday October 2 at 1 pm
    Saturday October 3 at 10 am
August 10th, 2010

State Senate debate Monday night in Lowell

by DickH

I just heard that this coming Monday night (August 16) at 7 pm at Lowell High School’s Little Theater, First Middlesex State Senate Democratic candidates Chris Doherty and Eileen Donoghue will face off in a debate sponsored by local radio station WCAP. With only four weeks to go to the primary, this debate will be huge.

In a related note, a flyer from Doherty arrived in today’s mail. Printed on 8.5 x 11 inch glossy paper, the piece contains three photos of the candidate in courtroom settings, and three repeats of the slogan “A Prosecutor, Not a Politician” – a clear, concise message; the same one used by Tom Reilly in his successful 1990 campaign for Middlesex District Attorney against then State Senator Joe Mackey of Somerville.

August 10th, 2010

Book Review: ‘The Forever War’ by Dexter Filkins

by PaulM

I’m not the first to say this is a powerful book. Filkins won awards from the National Book Critics Circle and NYTimes Book Review. It was a best-seller in hardcover. I lent my first copy to someone, and it went into the book-loan twilight zone, which is why I bought the paperback about a month ago. I recalled being so impressed upon reading it the first time. I hadn’t read such gripping prose about war since reading Michael Herr’s “Dispatches” about the Vietnam War in the ’70s. I went back to the book for more than the literary kicks, though. Filkins’ eyewitness accounts of Afghanistan in the run-up to 9/11 and the early years of the Iraq war provide helpful perspective to the daily news reports from the war zones and political rehashing of policy decisions in the past ten years.

Filkins manages to put the humanity up front in his bursts of nearly real-time reporting. He worked from a stack of hundreds of notebooks that he’d filled on the run, while taking cover, and literarally under covers in some instances when he had to write with the flashlight hidden. He doesn’t appear to spare any detail, no matter how gruesome, in conveying the raw barbarism of war-fighting and what it does to the killers and casualties. He tracks a couple of the family stories back to the U.S. and puts a face on the homefront as well. There’s no neat conclusion at the end because the fighting goes on (“The Forever War”) even though he exits the battlefield. I heard he’d recently gone back to do more reporting. The book is structured as a collection of scenes really, like a slightly disjoint documentary film. Some of the chapters are only a few pages long. One reviewer described the book as a “kaliedoscope of images and intensity.” Most of all, I recommend the book for what the reader will learn about the people and culture of those nations where the United States and many other countries have been engaged in a bloody and mind-bendingly complicated fight against adversaries whose eyes see a different world than ours do.

Dexter Filkins (web photo courtesy NYT)

August 10th, 2010

More on the Dig at St. Patrick Church

by PaulM

UMass Lowell’s Frank Talty provided the following details about the archaeological project in the Acre. Frank is director of academic programs in the College of Fine Arts, Humanities, and Social Sciences. He’s been instrumental in shaping the project in collaboration with administrators and faculty at Queens College in Belfast. Following is an excerpt from the “excavation strategy:”

It is our intention to excavate two trenches, each approximately 6 feet by 6 feet in size, in the lawn at the front of St. Patrick Church…. Rigid metal fencing will be placed around the trenches to provide a fixed barrier between the work area and the rest of the property. Access to the work area will be strictly controlled by the academic staff, and any visitors will be supervised while within the excavation area…. Excavation will be undertaken by three professional archaeologists from Queen’s University Belfast, assisted by up to 6 students from UMass Lowell, and hand tools will be used throughout. It is expected that excavation will be to a maximum depth of 3 feet….

Francis Talty of UMass Lowell

August 10th, 2010

“Nancye’s World” joins the Lowell blogosphere

by DickH

Please check out Nancye’s World, the newest addition to Lowell’s thriving blogosphere. Nancye Tuttle, longtime arts and lifestyle reporter at the Lowell Sun, will use Nancye’s World to report on arts, entertainment, cultural happenings and all that is interesting in Lowell, the Merrimack Valley, Boston and beyond.

August 10th, 2010

August 11, 2010 Remembering Ed LeLacheur by Jack Neary

by Tony

The following entry is cross posted from Jack Neary’s own Blog, Shards.

So much has been written over the past few days about my friend–our friend, everybody’s friend–former State Rep Ed LeLacheur and his boundless enthusiasm for life and service, that nothing I can contribute here can really add much to his legacy. I do have two stories, though, from my experience with Ed, to pass along.

If you played baseball at any time in your life, you remember that one play that is the “best” you ever made. Some of you are lucky, in that the “best” play happened in a real game, a sanctioned game, maybe even a playoff game. Not me. The “best” play I ever made happened in batting practice.

We were at Manning Field. Probably a Saturday. The Sacred Heart Parish–”The Haht”–was putting together a softball team to play in the church league. Maybe the late 70′s, early eighties, something like that. A bunch of guys were fiddling around before the first practice started, and the fiddling evolved into something of an organized batting practice session. You know–guy grabs a bat, takes a few swings, another guy grabs a bat. Not all that formal, but…organized nonetheless. For some reason, I planted myself at third base to shag whatever came off the various bats as I awaited my own turn. All I remember about the rest of that day is Eddie, taking his swings, lifting a pop foul behind the bag at third, which then drifted toward the corner in left. I sized it up, and started back to shag the fly. Shagging flies in batting practice usually means picking the ball up off the ground after the fly lands. But I saw that I could get to this pop up. It would not be easy, but…I don’t know…for some reason I felt I needed to make the play. So I turned on the jets–don’t laugh, I had jets then and when push comes to shove I have jets now–and I kept the soaring sphere (yeah, I’ve read purple baseball prose before, too) in sight as I peeked when I could at the chain link fence that separated the field from the parking lot down the left field line. I wasn’t going to make it. The ball was going to hit the ground and my effort was going to be all for naught. (I try to do as little as possible for naught in my life.) My back was completely turned from the field. LeLacheur was probably leaning into the next batting practice pitch. Nobody was watching me. Still–I had to catch this ball. And just before it was to scrape the fence, I lunged forward and Willie Mays-ed the thing into my glove. Without question, the best baseball play I ever made. Nobody cared then. Nobody cares now. I know this. But Eddie’s passing allows me to tell the story, because he was the guy who hit the ball.

My second and favorite recollection of Ed has to do with his infectious sense of humor.

It’s another “Haht” story. This time, again in the 70′s, it’s the Sacred Heart Bowling League which met weekly at the Brentwood Lanes. A machine of a league coordinated by the late, great Frank Flynn, and we all had a terrific time. From this point on in the story, except for LeLacheur, I’m not going to name names. I think everybody’s dead, but I’m still clamming up on the names. People have relatives.

Anyway, it’s early in the evening and LeLacheur is there, yucking it up with the rest of the guys. At one point, one of the older guys in the league–big,blustery, pipe-smokin’ Irishman–points to another guy about to roll. The other guy is also older, but smaller, quieter, and probably not all that Irish. Kinda reminded me of Donald Meek in the movies or John Fieldler on TV. Anyway, the blustery Irishman takes a look at Donald Meek and says to LeLacheur, “That’s the pastor, isn’t it?” Of course, it was not the pastor. Not even close. But Eddie saw an opportunity and took it. “Sure,” says Eddie. “That’s the pastor. Absolutely.”

And that was it. For a while. The evening wore on and, for all intents and purposes, Donald Meek guy was the pastor to the Blustery Irishman guy. The rest of the bowlers in LeLacheur’s group got into it, too, deferring all evening to Donald Meek guy–”Nice one, Father!” “Way to go, Father!” “Which Mass are you saying on Sunday, Father?” LeLacheur, the instigator, just let it keep going.

Until the end of the evening approached. At that point, Eddie pulled Donald Meek guy aside just before he was about to try for a spare and whispered something into his ear. Donald Meek guy nodded, and made his way to the lane. He took his duckpin ball, and lined up his shot. Blustery Irish guy watched. Donald Meek guy made his approach, rolled the ball, and missed the spare.

(In the interest of keeping the blog relatively clean, I’m misspelling the featured word in this upcoming rant.)

“What the eff was that!” Donald Meek guy roared! “Did you guys see that effin’ ball! The effin’ lane is effin’ warped! I’m not bowlin’ at this effin’ place ever again!”

Blustery Irish guy blanched. I think he may have even dropped his pipe into his lap. Every bowler in the place, by that time, was in on the joke. Everybody roared.

Nobody, though, more than LeLacheur. I had never seen anybody more ecstatic in my life. His laughter thrust him away from the lanes, over by the bench near the front door, where he collapsed in an avalanche of guffaws.

To me, it wasn’t just the idea of the gag that was brilliant. It was the execution. The timing. The patience it took to get from the set up to the delivery.

I will remember Ed LeLacheur for many things–including the fact that the last time I saw him, he came to see my play THE PORCH in Stoneham, and I believe he had a great time.

But this memory–which I call “That’s the pastor, isn’t it?”–is my favorite.

August 10th, 2010

NYT’s ‘The Arts’: Update on Lowell ‘Fighter’ Movie

by PaulM

The front page of “The Arts” section in the NYTimes has an article about the long and winding road to the cinema screen for the mostly Lowell-filmed Micky Ward bio-pic “The Fighter,” starring Mark Wahlberg as the boxer, Christian Bale, and Amy Adams, among others. The nationwide release date is December 10. Lots of Oscar talk already. (Notice the misspelling of Ward’s name on the boxing trunks in the photo below—the source of the photo is not the NYT).  Read the story here, and consider buying the Times if you appreciate the reporting.

Web photo courtesy of directoryofboston.com

August 10th, 2010

More on Lowell Irish Archaeological Dig and The Acre

by Marie

Lowell native Dr. Brian C. Mitchell wrote of  the Irish in Lowell 1821-1861 and the Lowell Acre’s “Paddy Camps”.

The wire story the other day was just a teaser. A story  in today’s Globe tells the fuller story of the  teaming-up of students from UMass Lowell with researchers from Queen’s University in Belfast for a weeklong dig on the property at St. Patrick’s Church in Lowell’s Acre. The dig is part of a broader study of the Irish who immigrated to Lowell before and after the Great Famine and the role they played in 19th-century America.

Researchers say the church grounds, which have not been built on since the Irish settled there, hold tantalizing historic potential.

“We are hoping to find artifacts from their everyday life as clues to their lifestyle,’’ said Frank Talty, codirector of UMass Lowell’s Center for Irish Partnerships. “That’s the story to be told: How did they live?’’

The settlement, according to an 1831 article in the Portsmouth Journal that called it “New Dublin,’’ consisted of 100 cabins about 7 to 10 feet tall, “built of slabs and rough boards.’’ It also included a schoolhouse with some 150 children.

Archeologists will be looking for domestic items such as dishware, hearth remnants, and clay pipes, which were often personalized and bore markings that could be used to pinpoint the owners’ Irish origins, Talty said.

Read Peter Schworm’s full article here. Stay tuned for the unearthed results.

August 10th, 2010

Indiana O’Jones: UMass Lowell’s Irish Acre Dig in ‘Globe’

by PaulM

People are reading about Lowell’s Irish-American roots all over New England this morning. The UMass Lowell/Queens University of Northern Ireland archaeological project on the grounds of St. Patrick Church in the Acre earned major coverage in the Boston Globe today (bottom of Page One). I was on a National Park canal tour the other day when long-time Park staffer Alex Demas, who was guiding my group, wondered out loud about the name of the legendary Irish immigrant foreman who brought the first canal-diggers to Lowell: Hugh Cummisky. (The ‘net says most names ending in “sky” are variations of family names from Russia or Eastern Europe). Alex led a fascinating tour, by the way. He’s a wonderful storyteller when it comes to Lowell history.  Read Peter Schworm’s story here from boston.com, and consider subscribing to the Globe if you appreciate the reporting.

The immigrants? work of digging the canals along the Merrimack River to power Lowell?s mills was arduous and sometimes dangerous.

Photo courtesy of Lowell National Historical Park via boston.com

August 10th, 2010

Candid Camera

by Tony

Sixty two years ago today the iconic TV show Candid Camera first aired on ABC. Few people (or at least me anyway) remember that Candid Camera actually began as a radio show called Candid Microphone. In June of 1947 Candid Microphone hit the airwaves with a bang. Its quick success prompted the shows producer to bring the concept to TV on August 10, 2010.

As a kid in the 1960’s watching Candid Camera was a ritual with my friends and family. I remember one Sunday night sitting in the living room laughing hysterically as a mailbox talked to an unsuspecting passer-by. The next day this classic routine was the talk of the neighborhood.

And Candid Camera had many other “classic skits”: There was the one where a person entered an elevator that only moved sideways, and another where a forklift removed a store wall during business hours, and another favorite of mine…a golf green without a hole. The list and memories go on and on.

New York born, Cornell graduate Alan Funt was the genius behind Candid Camera.

Candid Camera’s unique approach to documenting unexpected elements of human behavior was inspired in part by Funt’s background as a research assistant at Cornell University. Here Funt aided psychologist Kurt Lewin in experiments on the behaviors of mothers and children. He also drew on his experiences in the Army Signal Corps where he was responsible for recording soldier’s letters home.

Candid Camera ran for 38 seasons, filming over 1,000 episodes, but the shows most popular years were from 1960-1967.