Archive for October 24th, 2011

October 24th, 2011

UML Grant Series: “Let’s Talk About It: Making Sense of the American Civil War”

by Marie

University of Massachusetts Lowell Libraries awarded grant from ALA and NEH to host Civil War reading and discussion series

LOWELL, MA – University of Massachusetts Lowell Libraries received a $3,000 grant from the American Library Association (ALA) and the National Endowment for the Humanities (NEH) to host “Let’s Talk About It: Making Sense of the American Civil War,” a five-part reading and discussion series. The library is one of 65 public libraries nationwide receiving grants to host the series which will encourage participants to consider the legacy of the Civil War and emancipation. Local support for the series is provided by: Dracut Public Library, Chelmsford Public Library, Tewksbury Public Library, Billerica Public Library, the Learning in Retirement Association, and the Civil War Round Tables of Massachusetts.

 

“The Civil War takes us back to a time in American history when civility ruptured and the nation split in two,” said Jim Leach, chairman of NEH.  “The sesquicentennial of the Civil War and emancipation is an occasion for America to reflect together about the causes and ramifications of our greatest internal conflict, and a most appropriate way for ‘us the living’ to renew the American spirit in these still-troubled times.”

Michael Pierson, PhD,  a Professor of History at University of Massachusetts Lowell,  will lead a discussion of the book at each session. Dr. Pierson is the author of two books: Mutiny at Fort Jackson: The Untold Story of the Fall of New Orleans (Chapel Hill: University of North Carolina Press, 2008) and Free Hearts and Free Homes: Gender and American Antislavery Politics (Chapel Hill: University of North Carolina Press, 2003

Discussion sessions will take place on the following Tuesday evenings in 2012:  Jan 24th, Feb 14th, Mar 6th, Mar 27th, and Apr 24th.  All sessions are from 7- 9pm at O’Leary Library on South Campus.  For details or to register, please visit http://libguides.uml.edu/LTAI or contact Sara Marks: 978-934-4581; sara_marks@uml.edu. To obtain copies of program materials, please contact Sara Marks.

October 24th, 2011

Lowell Candidates Forum Tonight ~ Watch! Listen! Attend!

by Marie

 Lowell High School Little Theater

United Teachers of Lowell/Merrimack Valley Central Labor Council

Lowell City Council and Lowell School Committee

Candidates’ Night Tonight!

October 24, 2011 at 7:oo pm

Carried live on Local Cable Access  LET/Channel 22 and WCAP/980AM Radio

Re-broadcasts to be scheduled!


October 24th, 2011

L Rodger Currie, RIP

by DickH

When I flipped to the obituary page of today’s Globe and found myself staring into the eyes of the World War Two airman shown above, I just had to read the story. Imagine my surprise when I learned the deceased, L. Rodger Currie, was a “longtime dentist in Chelmsford” who was born in Lowell and graduated from Keith Academy in 1942. At age 19, he became one of the youngest pilots in the Marines and flew 105 combat missions during the war. After the war, he received his bachelor’s degree in biology from Saint Anselm’s and his dental degree from the University of Maryland.

I don’t ever recall meeting Dr. Currie, and I’m sorry that he passed way, but I feel fortunate to have read his obituary

October 24th, 2011

J C Ayer & Company

by DickH

Yesterday I attended an outstanding program presented by Cliff Hoyt and the Lowell Historical Society on “J. C. Ayer and Company during the Civil War.” The Lowell-based Ayer company was one of America’s most prominent producers of patent medicine during the nineteenth century. Its founder was James Cook Ayer who lived in the “stone house” on Pawtucket Street (opposite Fletcher) who quickly brought in his brother, Frederick Ayer (whose house is now the Franco-American School) into the business. Both brothers and their families are buried in the Lowell Cemetery and are prominent stops on the tours I give during the year. It was wonderful to learn more about the company that made these brothers famous from an expert such as Cliff Hoyt (shown below). Here are some of the highlights:

Ayer’s medicines were all natural, made from plants and minerals. Ayer’s medicines were made the same way as medicine from doctors of the time.

Ayer’s first medicine was Cherry Pectoral in 1843. It was advertised as treatment for throat and lung diseases but it was basically a cough medicine. It was given a lot more credit than it warranted. Collectively, the medical field back then didn’t understand or treat bacteria or viruses but treated the symptoms. Patients tended to get better because by treating the symptoms, the patients were able to sleep better, eat better because the symptoms were suppressed and they tended to recover.

In 1853, Ayer brought out his second medicine, known as Ayer’s Cathartic Pills. This was a laxative but it was very strong, much stronger than the comparable product now. Ayer made claims for the pills that were greater than they deserved, but everyone else did the same and it wasn’t meant to be deceptive: they all thought their claims were accurate.

In 1858, Ayer brought out his third medicine, Ayer’s Sarsaparilla which was a “blood medicine” that was intended to remove “poisons” from the blood. It purportedly treated things such as syphilis, consumption and skin diseases. Sarsaparilla did not work.

Also in 1858, Ayer brought out his fourth medicine, Ayer’s Ague Cure. Ague was a fever that reoccurs and later became known as malaria. Ayer made this medicine from the bark of the cinchona tree. The resulting substance later became known as quinine and it was very effective in treating malaria. Besides the quinine, Ague Cure also contained alcohol and flavoring.

Those were Ayer’s earliest products. Mr. Hoyt then discussed the term “patent medicine” which he claimed was a misnomer because none of these medicines received actual patents. [Note: I’ve read that the term “patent” has nothing to do with the US patent system but refers to the English practice of the king designating an “official product” of the monarchy which then allowed the product maker to claim that it was the “patent” product). Hoyt believes that the “patent” label was actually a negative connotation placed on these products by doctors who opposed their use. Why did doctors dislike Ayer’s medicines and other like products? Hoyt suggested several reasons: (1) The “off-the-shelf” nature of Ayer’s product took doctors out of the equation, costing them money, credit, and led to patient self-diagnosis); (2) The medicines appeared to be cure-alls meaning they could cure many things while doctors believed slightly different ingredients were needed for different diseases; (3) although Ayer always disclosed his ingredients to doctors and pharmacists, many patent medicine makers kept their ingredient list secret and may have included harmful substances in the products; (4) Ayer and his competitors advertised heavily which doctors found to be unseemly.

Ayer’s original manufacturing facility was on Jackson Street. During the Civil War, he also began operating on Market Street and finally opened an adjoining building on Middle Street (the current Ayer Lofts).

As for the ingredients, Ayer’s Cherry Pectoral contained 3 grams of morphine but this was a smaller quantity than most doctors prescribed. Most of Ayer’s medicines also included alcohol but there was a practical reason for this: the main ingredients were vegetative and the alcohol acted as a preservative. According to Cliff, however, you could not consume enough of the medicine to feel the effects of the alcohol without first becoming sick from the other ingredients.

October 24th, 2011

Lowell’s Rosalind Elias ~ From the Met to “Follies”

by Marie

There’s a great story in the New York Times about Lowell-born mezzo-soprano Rosalind Elias. At the age of 82,  Ms. Elias is veteran of the Metropolitan Opera singing over 45 roles in over 680 performances.  She made her Metropolitan Opera debut on February 23, 1954. This past  September she made her Broadway debut singing the role of Heidi in Steven Sondheim’s “Follies.” From all accounts she stops the show during every performance when she sings  ”One More Kiss.”

In his article Anthony Tommasini writes of  how Ms. Elias’  musical life began in Lowell :

To become a singer, Ms. Elias said, she had to overcome the opposition of her stern father. Her parents, born in Beirut, Lebanon, were old-fashioned immigrants living in Lowell, Mass., where Ms. Elias was born, the last of 13 children and the only one with musical talent.

“I spoke Arabic before I spoke English,” she said, “because my mother was always home taking care of the children and hardly mingled in the neighborhood to learn English.” Ms. Elias, who had a natural singing voice, grew to love opera by listening to the Saturday broadcasts of the Met while doing her housecleaning chores.

Her father was successful in real estate, she said, though “the crash ruined him.” But he picked himself up and became successful again.

He still believed that “only bad girls go on the stage,” Ms. Elias said. She pleaded for voice lessons. He gave in, thinking it would come to nothing. She thrived, entered the New England Conservatory in Boston, then studied in Rome and returned to America primed for a career.

Read the full article here at nytmes.org.

Rosalind Elias was honored as a Distinguished Alumni of Lowell High School in 2007. Her biographical sketch notes:

Rosalind Elias graduated from Lowell High School in 1947. The American mezzo-soprano began her training at the New England Conservatory of Music in Boston where she sang with the Boston Symphony Orchestra. After singing with the New England Opera, Rosalind Elias completed her training in Italy. Following engagements in Milan and Naples, she made her Metropolitan Opera debut in New York in 1954. Rosalind originated roles in Barber’s Vanessa as Erika in 1958, and in Antony and Cleopatra as Charmian in 1966, and remained on its roster for over 30 years.