Posts tagged ‘Lowell’

February 3rd, 2012

Kerouac at the Super Bowl in Spirit, Reports boston.com

by PaulM

Kerouac played football like he wrote, with a lot of power and invention. He was an athlete at the typewriter who could compose with speed and accuracy. It is fascinating to see how he keeps popping up in the news stream. Today, boston.com and the Bos. Globe  include an arts note among the Super Bowl news from Indianapolis—the legendary scroll typescript of Jack Kerouac’s “On the Road” is featured in a big museum display in the city along with other cultural treasures from the collection of Colts owner Jim Irsay. The scroll photo illustrates the news note. Read about it here.

Jack Kerouac in the 1938 Lowell-Lawrence football game.

 

January 30th, 2012

‘Variety’ Writer Tweets About ‘On the Road’ Film

by PaulM

Jerry Cimino of the Beat Museum in San Francisco has an intriguing segment in his latest newsletter, which I’m reproducing in full because the effect would be lost in paraphrasing. So, courtesy of www.kerouac.com, here’s news about the now-completed “On the Road” film that is expected to premiere in France this spring. The tweets must be read from the bottom up.

In related news, a reporter from Radio France, the national public radio network, will be in Lowell tomorrow as a guest of the Greater Merrimack Valley Convention and Visitor Bureau to prepare a story about Kerouac and Lowell in connection with the film’s release in Europe.

B).  Variety Says On The Road is Gonna Be Great


JOSH DICKEY WRITES FOR VARIETY and he was at the Sundance Film Festival last week and as he was
boarding the plane for his flight back to LA he sent out the following excited five tweets on Twitter.  We copied them below and you need to read them from the bottom up:

27 Jan  Josh Dickey @Variety_JLD
        •       Reply
Retweet Favorite ·
And that’s all I know. (At least, that’s all I can tell you!) Hope it’s new to somebody; I don’t follow as close as some of you guys.

27 Jan  Josh Dickey @Variety_JLD
        •       Reply Retweet
Favorite ·
There were no problems w/ film; just awaiting the right moment to show & actively start seeking distribution.

27 Jan  Josh Dickey
@Variety_JLD
        •       Reply Retweet Favorite ·
… it would not be a stretch to see it open Cannes. Producers are thrilled with the result & eager to at least have it there. More …

27 Jan  Josh Dickey
@Variety_JLD
        •       Reply Retweet Favorite ·
OTR is finished. Took 1 year to edit, and is very, very good. According to a discerning and in-the-know viewer, it’s so good that …

27 Jan  Josh Dickey
@Variety_JLD
        •       Reply Retweet Favorite ·
ON THE ROAD fans, I have some cool news to share with you. Just got to the airport so stand by…
—————–

January 30th, 2012

‘Concord and Merrimack Confluence’ by Richard Marion

by PaulM

“Concord and Merrimack Confluence” by Richard Marion (c) 2012

See more artwork at www.richardmarion.net

 

January 25th, 2012

Gloucester Writers Center Celebrates 90 Years of Kerouac

by PaulM

January 18th, 2012

‘The Strand’ by Richard Marion

by PaulM

Here’s a memory painting of a night scene at the movies on Central Street in Lowell: “The Strand” by Richard Marion (c) 2012

See more artwork at www.richardmarion.net

Here’s a link to Nancye Tuttle’s museum exhibition brochure about the movie theaters in Lowell. Her 1993 exhibit was called “Picture It: Lowell Goes to the Movies.”

January 15th, 2012

‘Checking the Property’

by PaulM

With Rev. Martin Luther King, Jr. being remembered tomorrow in a special way across the nation, I went back to a prose poem written after a family visit to Washington, D.C., in the early summer of 2004, another presidential election year. We were months away from seeing Barack Obama make news with a speech at the Democratic Party’s convention in Boston, and the extraordinary memorial for Dr. King was yet to be installed on the National Mall. — PM

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Checking the Property

My nine-year-old son says, “I’m going to read the ‘Gettysburg Address’”—on the other side is the lesser-known second inaugural speech. What’s the Lincoln shorthand? Freed the slaves; saved the union. People crowd the marble steps at dusk. A sign asks for silence. When he sees my wife lining up a snapshot, a guy in a straw cowboy hat offers to take a picture of my brother’s family, my wife, son, and me in the glow of the civic temple. Climbing the steps, I caught sight of the figure set behind the columns, and then lost him because of the steep ascent, only to come upon the sculpture again near the top, where visitors gaze at the huge seated president, whose massive square-toed boot juts out, looking as if it could kick Jeff Davis’ football the length of the Reflecting Pool and onto the white spike of the Washington Monument, which, in the after-supper hour reflects sun along its narrow western face, a mighty glo-stik on the national common, a staunch obelisk, a big white numeral standing for the first president, who set the constitutional republic in motion, the stone blocks a different shade on the top half, marking a stop in work and resumption, the monument telling its own story, one in which protesters rolled cut stones into the drink, foreshadowing later protests and rallies and comings together, like the 1963 March on Washington that brought Martin Luther King to these same steps to declare his dream of a nation at last free for all, the same steps where Joan Baez and Bob Dylan sang for justice and where Dylan returned to sing for Bill Clinton’s booming inaugural, the same steps movie-land Vietnam vet Forrest Gump spoke from and from which he spotted his life-long love and source of ache splashing toward him, the same pool in which the spaceship crashed in the Planet of the Apes remake, this electric stretch of public land without timber or copper, a wide open space in which to make a verb of America—to recall and celebrate and to do democratic research and development in this red clay-lined lab, bordered and crowded with evidence of the ongoing experiment, and bearing key formulas and equations inscribed in stone.

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—Paul Marion (c) 2004

 

January 15th, 2012

Lowell’s Proto-Blogger Charles G. Sampas, 1954

by PaulM

My brother Richard often stops by my home to drop off an interesting item he has found along the way in his travels, often a photocopy of a news article or a brochure that is not to be missed. Yesterday, he unfolded a large piece of paper that turned out to be page 19 from The Lowell Sun of June 16, 1954, that he had copied on a machine where blueprints are reproduced. The newspaper had surfaced in his apartment while he was looking for something else.

Two items fill the page: a large Father’s Day sale ad (“Dad is King!”) for Enterprise Stores at 117 Merrimack St., offering, among other clothing, sport shirts for $1.99, chino pants for $2.98, and men’s boxer and brief swim trunks for $1.99. The store hours include Monday and Thursday until 9 p.m. To the left of the ad is a wide column the length of the page with the daily “Sampascoopies” column by Charles G. Sampas. The subheadlines of the day are “Wednesday’s Little Notebook, Faces in Lowell Places, Some Songs Remembered, Life in the Lowellland, Serenades in the Twilight” to give readers a hint about the day’s topics. June 16, 1954, is one day among the thousands that Charles G. Sampas wrote for the people of his city.

What’s interesting in this column that appeared randomly in my kitchen this week is that it is full of observations and comments that resonate today. For example:

“The new Lowell Tech buildings have certainly given LTI that university touch . . .”

“Someday, the Hunt’s Falls bridge will be ready—and it would certainly speed up traffic more. The traffic problem has been a prime one—and it is rapidly being solved. Lowell is way ahead of other cities in this—way, way ahead.”

“Strange, all these years, I’ve had the collected works of most famous authors—and only five volumes of Dickens’s Works.”

Of all the columns to materialize, in this one Sampas reflects on his own legacy: “I have this distinction in Lowell fame: I have written more about Lowell history than anybody else in my time. I am not talking, of course, of the quality of the content—what I am grateful for is this: My small writings, in their very small way, have served to ‘pep up’ interest in Lowell history—and I am sure there will be plenty of young people who will do a lot of research in Lowell history in the future. And that makes me very happy.” (This is such a prophetic statement made 24 years before Lowell would be named a National Park and added to the official list of great American places like the Grand Canyon, Concord, the Statue of Liberty, the Everglades, and Gettysburg Battlefield.)

Charles Sampas wrote about 1,000 words for this column. I’ll return to it another day with more excerpts from his rambling, encyclopedic mind and boundless intellectual curiosity. For example, “The great pleasure it was, the other night, chatting with my old friend, Jimmie Durante. We discussed his TV show and his au courant plans, and Jimmie looks younger than ever. And still the greatest comedian in the war—no question about that.”

January 11th, 2012

‘Tan Mill’ by Richard Marion

by PaulM

“Tan Mill” by Richard Marion (c) 2012

See more artwork at www.richardmarion.net

January 9th, 2012

Ken Burns, History Hero

by PaulM

An old friend of mine last night sent a message on Facebook saying she recently had heard the brilliant filmmaker Ken Burns speak in Brattleboro, Vermont, which got me thinking about my first encounter with Burns. My recollection is that I saw his documentary about the Statue of Liberty that was broadcast in 1985 on public television. His films about the Brooklyn Bridge and the Shakers were made earlier in the 1980s, but I didn’t see those until after I watched the Statue of Liberty movie. I recall being so impressed by the intelligence of the film. His decision to use as narrators people like Barbara Jordan, Arthur Miller, Derek Jacobi, and other notable persons seemed so fresh and smart. The tone was reverent but not piously patriotic. He honored both the idea of the Statue and the achievement of its design and construction. Of the speakers, I was especially impressed by his decision to invite the then-young poet Carolyn Forche to read a passage, the Emma Lazarus poem inscribed on the base. She was a favorite poet of mine, based on her first book “Gathering the Tribes,” which had won the Yale Award for Younger Poets (the same award won in 1972 by Lowell’s Michael Casey for his book of Vietnam War poems, “Obscenities”), and her 1981 book “The Country Between Us,” with poems about her time in El Salvador. I thought, This guy is very cool to have included her. From that point, I became a huge Burns fan, anticipating his next project, which he always had because of his extraordinary work ethic. He has been the history hero of our time, using film to bring the American story to us in creative and substantive form. My son and I heard him speak at the Middlesex Community College Celebrity Forum two years ago. Watching him on the Lowell Memorial Auditorium stage, I thought about all the hours I had spent watching his work on TV. I had seen him speak once before, in Manchester, N.H., when he was promoting his “Baseball” film. I like the idea that he is from our general neighborhood, too. There is something very New England about his high-mindedness.

January 6th, 2012

‘On the Road’ Film Publicity Poster

by PaulM