Posts tagged ‘Thoreau’

August 18th, 2012

Canoeing on the Concord

by PaulM

I am a bit ashamed to say that until this week I had never paddled a canoe on the Concord River. Countless times I had driven past the canoe rental place on Main Street in Concord, Mass., the South Bridge Boat House. The weather was good this past Wednesday, so Rosemary said, Let’s go.

Kayaks are to the right (8/09)

The process could not be easier. Park your car on the side of the road in a small lot, cross the street to the boat house, pay $20 for an hour on the water, choose a paddle and a life jacket, and follow the attendant to the row of canoes for the one that will be yours. I had not been in a canoe for years; among my various canoe adventures is a capsizing at Lakeview, Lake Mascuppic, when a friend and I got flipped by the wake of a power boat that zoomed too close. Another friendly captain fished us out of the drink. This was a no-wave day, however, as the placid Concord flowed through the green backlands of town. Our destination was the famous Old North Bridge at Minute Man National Park, Emerson’s “rude bridge that arched the flood” where “the shot heard round the world’ was fired.

Winslow Homer, “The Blue Boat” (1892)

Herons stood in the shallows, a band of about 60 Canada geese occupied one bend, other birds called here and there, and the river flowed by like time coming off a clock. On the way to the bridge we had the current in our favor, and it was strong enough to notice. Recent rain had topped off the channel. The bankside growth was lush with plants, bushes, and trees so familiar to us in central New England that we hardly notice the individual species. To a car driver, the vegetation can become a dense green sidewall. Slowed down in a canoe, you become more aware of the difference between looking and seeing. When you have to swing out into the middle of the river to avoid tree limbs dipping into the water, you notice more. The water was dark, and I didn’t have a good sense of how deep it was. On the route out and back we passed many kayakers and a few canoe duos, but mostly kayaks. The etiquette seems to call for “hi” when passing another traveler. The paddlers were young to old. On shore were a number of hikers and dog walkers. Most of this stretch of the river takes in back yards of suburban homes, but there are areas where the fields and woods come right down to the water.

I thought about the Thoreau brothers on their boat trip up the Concord and Merrimack. I thought of Emerson roaming the banks and the colonial farmers lined up against the British regulars. We saw a National Park ranger near the Old North Bridge orienting visitors to the grounds. The Minute Man statue of Daniel Chester French kept watch near the bridge. On the way back a squad of geese flew past us about eight feet off the water, flying under the radar no doubt, going someplace they just had to be. When we got there, not much seemed to be happening, but they were there patrolling.

File this under the category “Local Things To Do,” and give it a try if you have not been down that way. There’s talk about trying to do more with the waterways in Lowell and getting people onto the rivers and canals more easily. The audience for these experiences is out there. I would do this again, maybe when the leaves turn red and yellow.

May 19th, 2012

City Stories

by PaulM

More than 60 people (“….we must have great audiences.”) showed up at the Old Court last night for part one of City Stories, produced by the Image Theater crew. If you can make it to part two tonight at 8 pm, do yourself a favor and go. I was honored to be among a group of outstanding writers who presented their work on stage very effectively. It was a theater-produced event, after all, so the expectation for high quality delivery was built in. The line-up included Jerry Bisantz, Ann Garvin, June Bowser-Barrett, Dave Daniel,  David Sullivan,  Judith Dickerman-Nelson, Kate Bisantz,  Stephan Anstey, and me. Tonight’s program features Kathleen Deely Pierce,  Stephen O’Connor,  Kassie Rubico, Peter Eliopoulos, Emilie Noelle Provost,  Jack Dacey,  and Andrew Wetmore. The backdrop for the compact stage upstairs at the Old Court consisted of 10 full pages of the Sun newspaper taped to the wall and marked with a letter spelling out C-i-t-y  S-t-o-r-i-e-s.

Publisher and writer Lloyd Corricelli surprised many of the writers with fresh copies of his “River Muse” anthology, a paperback tome packed with prose by many of the very same City Stories writers in the spotlight this weekend. Lloyd has a book-launch event on June 8 at the UMass Lowell Inn & Conference Center. Proceeds from the sale of the book will be donated to local veterans support groups. Watch for details about the event on this blog and Facebook.

Listening to my writing colleagues last night I was reminded of another City Stories-type event more than 30 years ago at A. G. Pollard’s, the original brick-and-fern rehabbed eatery and pub on Middle Street, where the Smokehouse can be found these days. Pollard’s had a long, narrow pub room not unlike the Old Court’s upstairs space, a bit more narrow on Middle St. That night, a local organizer had brought together many of the city’s literati, actors, and musicians for a tribute to Lowell’s literary heritage. Somebody was making a film of this. My recollection is that media specialists from the GLRT Voke High School were directing the show. The difference from last night, however, is that circa 1980 we were reading the words of dead writers who had something to do with Lowell: Poe, Kerouac, Larcom, Whittier, Thoreau, and others. Somewhere in my files I have the script of the production. Last night, the writers shared their own work. Seven more will do the same tonight. This says plenty about how far the community has come in 30-plus years. Back then there were a lot of people writing for the newspaper, as well as writing nonfiction and scholarly work, many of them at the University, (note the list of authors in ”Cotton Was King,” the history of Lowell published in 1976), but not so much for novels, short stories, plays, poems, and memoir. Creative writing is booming in Lowell. UMass Lowell now has a concentration in creative writing in the English Department and faculty writers Andre Dubus III, Maggie Dietz, and Sandra Lim. This is only going to get bigger. Major writers like Poet Laureate Kay Ryan, Russell Banks, Anita Shreve, Alan Lightman, Lynda Barry, Jericho Brown, and Stephen King (coming in December) visit UMass Lowell, and David Sedaris and Garrison Keillor speak from stage of Lowell Memorial Auditorium—the way Poe, Emerson, Dickens, and others once made Lowell an important stop on the literary circuit.

October 21st, 2011

Greater Merrimack Valley Makes Big News Again

by PaulM

A swimmer from Harvard trains at Walden Pond in Concord for Olympic competition. Read Karen Crouse’s long profile of Alex Meyer in the NYTimes, and get the paper if you want more.

February 15th, 2011

Merrimack Valley Literary Renaissance: Bos. Globe, 2001

by PaulM

It’s been ten years since writer Neil Miller in the Boston Globe Magazine shone a spotlight on the Merrimack Valley literary renaissance that was getting noticed at home and far away. The region of Bradstreet, Thoreau, Whittier, Frost, Kerouac, and others has emerged in our time as a literary hotspot. Read the archived article that features Jane Brox, Andre Dubus III, Mary McGarry Morris, Jay Atkinson, Dave Daniel, Chath pierSath, and others. Unfortunately, the archived piece doesn’t include the original photographs of the authors.

All these writers are very different, of course, and it’s hard to find one unifying theme, a single valley sensibility. Brox’s elegiac memoirs and her feeling for place have led her to be dubbed “a latter-day Thoreau.” Until recently, Dubus has been reluctant to write about the Merrimack Valley at all. Still, all are drawn to working-class, sometimes hardscrabble characters, those “practical” types who populate the region. “In the Merrimack Valley, we celebrate the ordinary moment,” says Atkinson. “That is what you write about. There is no uranium mine here.”

The intellectual history of the area reaches back almost to the beginnings of New England’s industrial revolution. In the 1840s, on a trip to America, Charles Dickens paid a visit to Lowell, where he made some unexpected discoveries: Many of the young New England farm women who came to the city to work in the textile mills subscribed to circulating libraries. And some of them were publishing a regular magazine called The Lowell Offering, which he wrote in his book American Notes “will compare advantageously with a great many English Annuals.”

June 23rd, 2010

Kerouac ‘On’ Thoreau’s ‘Road’

by PaulM

Speaking of Franco-American Week, in the new New Yorker (June 28) the Talk of the Town section has a piece called “In the Stacks” about a recent display at the New York Public Library. It turns out that librarian Anne Garner specializes in “marginalia,” that is, comments and marks made by authors in books that they’ve read. None other than Jean-Louis Kerouac or John L. Kerouac of Lowell has something on view at the NYPL, which owns the bulk of Kerouac’s papers. Along with Kerouac’s notebooks, typescripts, and other documents, the Kerouac collection includes some books. In this case it is a copy of H. D. Thoreau’s “A Week on the Concord and Merrimack Rivers,” which is way overdue at some library. (According to the New Yorker, K borrowed the book from “a local library in 1949 and never brought it back.”) Ole Memory Babe had a selective memory about such things, I guess. But here’s what’s interesting, in the New Yorker’s words: “On page 227, this sentence—’The traveler must be born again on the road’—was underlined in pencil, with a small, neat check mark beside it.” Is this the smoking literary gun that reveals the origin of the title of Kerouac’s now-classic novel?

My Kerouac scholarship is a little rusty on the roots of “On the Road,” so maybe one of our readers can chime in with more information. I thought I’d found a kind of smoking gun while researching Kerouac’s early influences when I was editing “Atop an Underwood.” One of his heroes as a young writer was Albert Halper of Chicago and New York City. Halper wrote a book of short stories, mostly set in Chicago, titled “On the Shore.” Kerouac was a big fan of stories in that collection. “On the Shore”…”On the Road”…that was close enough for me to call attention to the similarity. But this Thoreau connection is even better. Kerouac admired the Transcendentalists from upriver in Concord. He knew they had walked the Lowell streets and written about the city and rivers here.